[courses]

Philosophy of Technology, SCI_Arc

[04.2006]

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 (1) multiple definitions of technics: the permeable membranes between the human, posthuman and inhuman; (2) apparatuses of production and the industrial precondition of Modernity: Marxism, instrumental rationalization of form; (3) Heidegger and the exterior encounter of ‘becoming’; (4) the medium is the massage: McLuhan, Kittler and the genealogy of convergence; (5) the machinic subconscious: telepresence, schizoanalysis, inorganic surrealism; (6) software epistemology: GUI phenomenology, durable bit conditions, from flow to habitus (7) “risk” : the crisis of crisis, systemic inertia, the permanence of the accident; (8) cinema per se: animate surfaces, cameras obscura, database narrativity; (9) ecologies of specific sustainability and durable mutability: genomic habitats; (10) the “body” as form, medium and limit condition

Readings/ screeings include several contemporary event-conditions, and several more traditional texts, including, for example, works by  Nietzsche, Liebniz, Deleuze, Kittler, Heidegger, Baudry, Beck, Giddens, Virilio, Plant, Latour, Haraway, Marinetti, Dreyfus, Canetti, Benjamin, Freud, Godard, Figgis, Brakage, Vertov.

Tags: sci-arc, culture industry, theory

Published: 04.20.2006

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